Document Type
Article
Publication Date
6-2000
Disciplines
Art and Design | Art Practice | Arts and Humanities | Asian Art and Architecture | Ceramic Arts | Contemporary Art | East Asian Languages and Societies | History of Art, Architecture, and Archaeology
Abstract
Part of a special section on the 1999 International Woodfire Conference. The technique of putting water into a high-temperature woodfired kiln is discussed. This 800-year-old technique is used to oxidize the environment, clear carbon, and quickly cool the pottery. It produces unique, beautiful textures and colors, particularly a rich earth-tone palette that cannot be paralleled by chemical glazes or other firing techniques. This technique was used in a Teppo-gama (gun kiln) based on designs from 12th-century Korean tunnel kilns, built on the island of Tanegashima, Japan, in 1969. The writer discusses the work of a number of artists who use the Tanegashima firing style, including San San Oizumi-san and Shige Morioka in Japan, and the American sculptor Joy Brown.
Copyright Statement
Studio Potter owns the copyright to the article as it appears in the print journal. Copyright of the text is shared between Studio Potter and the author.
Recommended Citation
Bresnahan, Richard. "Water and Woodfiring." Studio Potter 28, no. 2 (June 2000): 20-22.
Included in
Art Practice Commons, Asian Art and Architecture Commons, Ceramic Arts Commons, Contemporary Art Commons, East Asian Languages and Societies Commons
Comments
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