DigitalCommons@CSB/SJU

Follow

• 

  José Isaacson y la Poética del Encuentro

  Marina Martin

  Find this book in the library.

  José Isaacson (Buenos Aires, 1922) pertenece a un grupo estelar de poetas argentinos –Borges, Olga Orozco, Roberto Juarroz y Alejandra Pizarnik, entre otros– que, en conjunto, marcan un hito en la literatura hispana del siglo XX. Dada la riqueza temática, el giro hacia la metafísica que se evidencia invariablemente en sus escritos y la profundidad de su visión humanística, cabe suponer en la obra de Isaacson un alcance internacional. El texto dialoga con voces filosóficas que perfilan un encuentro asentado en el misterio del tiempo. Aristóteles, Spinoza, Kafka, Kant, Buber y Wittgenstein, entre otros, sin descontar la riqueza que proviene de las evocaciones bíblicas, palpitan en un texto sencillo y vibrante. Una extraordinaria erudición acompaña la ensayística de Isaacson y el vuelo poético de su lírica realza el calibre intelectual de una obra fuera de lo corriente. A la profundidad filosófica y a la intensa producción literaria hay que añadir una propuesta humanística, una actitud vital que posibilita un rescate de la persona. Bajo esta perspectiva la obra de Isaacson busca plantear un sentido a la praxis, aspirando a ahondar en la expresión de nuestro tiempo.

• 

  Homenaje a Thorpe Running

  Marina Martin

  A special issue of "Palabra y Persona" honoring Thorpe Running (1941-2008)

• 

  Viva la historieta! Mexican Comics, NAFTA, and the Politics of Globalization

  Bruce Campbell

  ¡Viva la historieta! critically examines the participation of Mexican comic books in the continuing debate over the character and consequences of globalization in Mexico. The focus of the book is on graphic narratives produced by and for Mexicans in the period following the 1994 implementation of the North American Free Trade Agreement (NAFTA), an economic accord that institutionalized the free-market vision of relationships among the United States, Mexico, and Canada.

  Eight chapters cover a broad range of contemporary Mexican comics, including works of propaganda, romance and adventure, graphic novels, a corporate "brand" series, didactic single-issue books, and a superhero parody series. Each chapter offers an examination of the ways in which specific comics or comic book series represent Mexico's national identity, the U.S.'s influence, and globalization's effects on technology and economics since the passage of NAFTA.

  Through careful attention to how recent Mexican comics portray a changing nation, author Bruce Campbell reveals a contentious range of perspectives on the problems and promises of globalization. At the same time, Campbell argues that the contrasting views of globalization that circulate widely in Mexican historietas reflect a still unsettled relationship between Mexico and its superpower neighbor.

• 

  Mexican Murals in Times of Crisis

  Bruce Campbell

  Murals have been an important medium of public expression in Mexico since the Mexican Revolution, and names such as Diego Rivera, David Alfaro Siqueiros, and José Clemente Orozco will forever be linked with this revolutionary art form. Many people, however, believe that Mexico's renowned mural tradition died with these famous practitioners, and today's mural artists labor in obscurity as many of their creations are destroyed through hostility or neglect. This book traces the ongoing critical contributions of mural arts to public life in Mexico to show how postrevolutionary murals have been overshadowed both by the Mexican School and by the exclusionary nature of official public arts. By documenting a range of mural practices—from fixed-site murals to mantas (banner murals) to graffiti—Bruce Campbell evaluates the ways in which the practical and aesthetic components of revolutionary Mexican muralism have been appropriated and redeployed within the context of Mexico's ongoing economic and political crisis. Four dozen photographs illustrate the text. Blending ethnography, political science, and sociology with art history, Campbell traces the emergence of modern Mexican mural art as a composite of aesthetic, discursive, and performative elements through which collective interests and identities are shaped. He focuses on mural activists engaged combatively with the state—in barrios, unions, and street protests—to show that mural arts that are neither connected to the elite art world nor supported by the government have made significant contributions to Mexican culture. Campbell brings all previous studies of Mexican muralism up to date by revealing the wealth of art that has flourished in the shadows of official recognition. His work shows that interpretations by art historians preoccupied with contemporary high art have been incomplete—and that a rich mural tradition still survives, and thrives, in Mexico.
  
  

• 

  José Isaacson, Poeta Crítico

  Thorpe Running

  José Isaacson, poeta / Delfín Leocadio Garasa --
  Isaacson y la esperanza / Carlos Mastronardi --
  Certidumbre de la poesía / Alfredo de la Guardia --
  Nuevo canto a Buenos Aires / Alfredo de la Guardia --
  Raíces filosóficas de una poesía desvelada y ardiente / Antonio Pagés Larraya --
  "Pre-textos" y contextos en Poemas del conocer / Beatriz Curia --
  Un cuaderno insólito / Bernardo Canal Feijóo --
  La poesía crítica de José Isaacson / Thorpe Running.

• 

  The Critical Poem : Borges, Paz, and Other Language-Centered Poets in Latin America

  Thorpe Running

  In this book, scholar Thorpe Running shows that a skeptical approach to both language and poetry places eight poets from three countries in Latin America within a strain of poetry prefigured by Stephane Mallarme. Octavio Paz, Jorge Luis Borges, Roberto Juarroz, Alejandra Pizarnik, Alberto Girri, Juan Luis Martinez, Gonzalo Millan, and David Huerta span three different generations. In addition to their age and geographical differences, their poetry bears no obvious similarities. All eight, however, are poetas pensantes, or thinking poets, and underlying the work of these probing writers is the disturbing question: Does language do what it is supposed to do? The answer is negative for all these poets who see their poems as being made up of words that don't work.

• 

  Borges' Ultraist Movement and its Poets

  Thorpe Running